Gig Report: The Queers
Thu 14 Jun – The Queers, The Methadones, The Manges
Yesterday morning I got a shout from creativelybored [editor's note:
ust buy Munki Brain a few months ago? It couldn't have been that long ago; they still don't have a link for it here.I just let the implication that I'd become old and nostalgic settle into the back of my aging skull. I'd been looking forward to this gig for too long to worry that I just might be a dinosaur.
I'd never been to a gig at the Bottom of the Hill before, and I was pleasantly surprised that, even though I arrived almost right at 9:00 when the show was slated to start, I got a parking spot right across the street from the front door. I'd heard that parking on the street was easy to find, but if you've spent any time in San Francisco you know that "easy parking" here would be anything that doesn't require at least an hour's worth of driving in circles, a GPS, and a half-ton of quarters.
I was met shortly thereafter by
First up just after Xander's arrival and a trip to the bar was Italy's The Manges. I will confess that I was slightly disappointed. I've liked these guys for quite a while (in large part because I love a punk band with a funny accent; cf. my Nicotine fetish). I can't completely blame them -- they were the first band up, and the sound was not right. It was muddy and trebly and just generally bad. However, they had a lot of energy, and their guitarist is a gorgeous, tattooed, olive-skinned hunk of a guy, so I managed to keep from being annoyed by the bad soundboard work by studying the way his triceps moved as he changed chords.
After that was a short trip to the patio area for a smoke, another run to the bar, and by the time we got back The Methadones were starting. While they weren't bad, they did have sort of a generic modern punk-pop thing going, a bit like what you'd get if you threw Good Charlotte, Van Halen, and The Cure in a blender. While most of it was pretty "eh," I thought a couple songs were brilliant. Not many, but I did come away with a slightly higher opinion of the Methadones than I had going in.
Next up (after another patio run): The Queers. My little blast from the past. Well, Mr. Bored, you were right. The set was pulled almost entirely from their old staples, from the opener, No Tit, all the way to See Ya Later Fuckface at the end of the encore. The only song from the new album was Duke Kahanamoku, which they apparently played for the first time live. It was a long set, and included literally almost every song in their Top 50 tracks here.
They sounded great, and other than a few minor mishaps like a blown amp and a random stage-crasher singing really bad backup vocals on a cover of Sheena Is a Punk Rocker before diving back into the crowd, they were pretty consistently good all the way through. It would also like to point out to my dear friend Peter that, although these guys have been around in one form or another since around the time I graduated high school, old guys can still rock. Hard and at great length, I'd like to add.

I just found out that
Go ahead and laugh if you want. I realize BFS tilts a bit toward the pop end of the